1988
We started from a small apartment.
* Updated in December 25, 2023
“THE HOPE 2023”
Click here for details and related information.
This section includes the message from the president to shareholders and investors and summarizes information including the details of company activities. Past annual reports and notices to shareholders are also listed here.
We believe in your abilities, uniqueness and creativity in building a future that is exciting
and world changing.
Really! Mad+Pure
The Music Business involves the planning and production of live concerts and events, the selling of tickets, merchandising, the management of artists, talent and creators, production, advertisement and sale of music content, the operation of an e-commerce site and other activities. We aim to be an Asia-leading multi-functional label company that consolidates music-related business infrastructure. We also work towards the creation of new hits and content and building an integrated framework for discovering, develop and managing talent.
We seek to maximize our sales by developing what we call the 360-degree business, which is our advantage. This involves, for example, the planning and production of and investment in animation and live-action works and the creation of adaptations of our content for the stage and screen. Furthermore, we pursue the acquisition and expansion of new IP.
We are striving to achieve optimization through a range of different businesses including the operation of fan clubs and the planning, production, sale and distribution of digital content.
We engage in different efforts such as the license business in Asia, the planning and production of live concerts and events, music publishing in the United States and investment in venture businesses in pursuit of the creation of synergy with the businesses we are focused on.
Da-iCE successfully completed their national arena tour "Da-iCE ARENA TOUR 2023 -SCENE-" from June 2023 across six cities with 12 performances, attracting 100,000 attendees. The members are also active in their solo projects. Sota Hanamura voices the role of Willy Wonka in the Japanese-dubbed version of the film The Beginning of Wonka and the Chocolate Factory to be released on December 8. To celebrate their 10th anniversary since their major debut, they will perform at the Nippon Budokan for the first time in seven years in January 2024 with "Da-iCE 10th Anniversary LIVE," followed by a national tour "Da-iCE 10th Anniversary Live House Tour 2024" starting in July.
BE:FIRST released their 4th single "Mainstream" on September 13, 2023, earning top place for 116 times on various music charts, including the Billboard JAPAN Hot 100. The music video has received over 31 million views on YouTube and 100 million views on TikTok. Their first national arena tour, "BE:FIRST ARENA TOUR 2023-2024 'Mainstream,'" started in November, with 22 performances across nine cities. They also have an additional dome performance, "BE:FIRST LIVE in DOME 2024 'Mainstream – Masterplan,'" scheduled for 2024.
Japan's premier urban dance music festival, ULTRA JAPAN 2023, was held at Tokyo Odaiba Ultra Park in September, attracting 60,000 people over two days. The event featured internationally renowned artists, such as Hardwell, Axwell Λ Sebastian Ingrosso, and Skrillex, who captivated the crowd with their electrifying performances. At the end of the event, it was announced that ULTRA JAPAN 2024 will be held in September 2024.
Rina Kawaei is set to make her debut as the lead in a prime-time drama series, with the new Nippon TV Wednesday drama, Tonari no Nurse Aid, starting in January 2024. Additionally, she will take on the new role of Chihiro in the stage adaptation of Spirited Away, which will begin its run at the Imperial Theatre, Tokyo in March 2024. She is also cast as the heroine Yuzuki in the movie Strange House, scheduled for release on March 15, 2024.
Meru Nukumi has been chosen as the "Face of the Year 2023" by Nikkei Trendy. In 2023, she has expanded her activities beyond fashion magazines and variety shows, making notable appearances in TV dramas, such as Sexy Tanaka-san, which started airing in October on Nippon TV.
Since October 2023, the TV anime "Paradox Live THE ANIMATION" has been broadcasting, marking a significant milestone for the Paradox Live project.
In November 2023, the project celebrated its 4th anniversary with various commemorative events, including its first-ever 24-hour special program. In the spring of 2024, fans can look forward to the release of a new album and the publication of the Official Fanbook Vol. 2.
Avex Pictures Inc. has partnered with Studio Dragon, the largest drama studio in Asia, to transform the popular drama "Vincenzo" into a musical. Masanari Wada plays the role of Vincenzo Cassano, while Suzuka Tomita from Hinatazaka 46 portrays Hong Cha-Young, originally played by Jeon Yeo-been. The Japanese performances of the musical were held in August 2023. The Blu-ray disc of the musical was released on December 1, 2023.
We have established a new local subsidiary in the Kingdom of Saudi Arabia to expand our business portfolio and develop new ventures in the Middle East, where we have been producing large-scale anime events. This move signifies our strategic commitment to investing in IP licensing, event operations, and music projects in the Middle Eastern market.
Avex USA Inc. has signed exclusive publishing contracts with GENT! and Ambezza, two renowned producers behind Doja Cat's latest album's lead singles and hit tracks for Drake. Under the publishing umbrella of Avex USA, Jasper Harris and Grant have collaborated with Tate McRae on the chart-topping song "greedy," which has gained immense popularity globally. The track dominated both the Billboard Global 200 chart and the Spotify Global Top 50 chart for several days in a row. Avex USA will continue its commitment to creating global hits alongside its talented roster of creators.
In November 2023, representatives from the United Nations Development Programme (UNDP), a leading UN agency fighting to end injustices, including poverty, inequality, and climate change, visited our company. The attendees included Hideko Hadzialic, the UNDP Representative in Japan, and Shinobu Yamaguchi, Senior Advisor for the Japan Unit.
Our Sustainability Promotion Office team, along with the President of Avex Management Agency Inc. and the Chief Manager of Pikotaro, held discussions and exchanged perspectives on sustainability initiatives.
Our environmental initiatives include simplifying CD and DVD packaging, using ticketless ticketing for live shows, and other actions to reduce carbon emissions.
In FY2022, our energy-saving measures led to indirect CO2 emissions from electricity consumption totaling 754 t-CO2, which marks a 64% decrease from FY2018, partly due to the relocation of our headquarters. In line with the Japanese government's aim to decrease CO2 emissions for a sustainable society, we have set a goal of achieving net-zero CO2 emissions by 2050.
In the "avex class" program, our artists and talent take on the role of instructors for a day, sharing their motivation for pursuing their current professions, the joys and challenges of their work, and anecdotes from their student days.
Instructors: Daimaou Kosaka, SAM (TRF), DJ KOO (TRF)
Conducted in: seven schools across various regions, including four schools in Tokyo, one in Ibaraki, one in Shiga, and one in Kagoshima
Total number of participating students: approx. 1,150
*Between February and September 2023
(Million Yen)
2020/03 | 2021/03 | 2022/03 | 2023/03 | 2024/03 | |
1Q | 29,028 | 14,108 | 19,417 | 28,473 | 31,973 |
2Q | 61,189 | 34,279 | 46,304 | 54,060 | 64,355 |
3Q | 100,312 | 54,707 | 76,032 | 85,525 | - |
4Q | 135,469 | 81,527 | 98,437 | 121,561 | - |
(Million Yen)
2020/03 | 2021/03 | 2022/03 | 2023/03 | 2024/03 | |
1Q | 366 | △1,054 | 262 | 2,288 | 1,881 |
2Q | △688 | △2,229 | 2,634 | 3,619 | 2,167 |
3Q | 2,349 | △3,610 | 3,926 | 3,344 | - |
4Q | 4,033 | △6,278 | 2,582 | 3,385 | - |
(Million Yen)
2020/03 | 2021/03 | 2022/03 | 2023/03 | 2024/03 | |
1Q | 121 | △1,309 | 208 | 2,250 | 1,985 |
2Q | △1,187 | △2,557 | 2,623 | 3,771 | 2,186 |
3Q | 1,799 | △3,815 | 4,012 | 3,351 | - |
4Q | 3,017 | △6,538 | 2,351 | 4,055 | - |
(Million Yen)
2020/03 | 2021/03 | 2022/03 | 2023/03 | 2024/03 | |
1Q | △348 | △1,704 | 11 | 1,675 | 2,704 |
2Q | △1,762 | △3,289 | 1,612 | 3,207 | 2,458 |
3Q | 59 | △4,284 | 2,407 | 2,826 | - |
4Q | △1,102 | 12,831 | 919 | 2,742 | - |
(Million Yen)
2020/03 | 2021/03 | 2022/03 | 2023/03 | 2024/03 | |
1Q | 50,262 | 47,772 | 59,435 | 60,712 | 59,055 |
2Q | 49,122 | 47,201 | 60,920 | 62,357 | 58,655 |
3Q | 50,113 | 43,189 | 63,308 | 61,112 | - |
4Q | 49,449 | 58,339 | 60,694 | 58,838 | - |
(%)
2019/03 | 2020/03 | 2021/03 | 2022/03 | 2023/03 | |
自己資本比率(連結) | 38.6 | 38.2 | 52.6 | 59.2 | 53.3 |
(Million Yen)
2020/03 | 2021/03 | 2022/03 | 2023/03 | 2024/03 | |
1Q | 121,055 | 111,071 | 94,863 | 98,931 | 105,415 |
2Q | 119,112 | 113,089 | 94,438 | 104,625 | 106,279 |
3Q | 121,025 | 121,189 | 104,006 | 106,242 | - |
4Q | 120,414 | 105,105 | 97,801 | 108,915 | - |
(Million Yen)
2019/03 | 2020/03 | 2021/03 | 2022/03 | 2023/03 | |
通期 | 11,003 | △4,032 | △6,480 | △4,464 | 9,192 |
(Million Yen)
2019/03 | 2020/03 | 2021/03 | 2022/03 | 2023/03 | |
通期 | △6,381 | △3,444 | 70,041 | △3,387 | △3,131 |
(Million Yen)
2019/03 | 2020/03 | 2021/03 | 2022/03 | 2023/03 | |
通期 | △10,014 | 2,659 | △28,928 | △314 | △2,493 |
(Million Yen)
2019/03 | 2020/03 | 2021/03 | 2022/03 | 2023/03 | |
通期 | 22,832 | 17,956 | 52,654 | 44,671 | 48,143 |
(%)
2019/03 | 2020/03 | 2021/03 | 2022/03 | 2023/03 | |
総資産経常利益率(連結) | 5.0 | 2.5 | △5.8 | 2.3 | 3.9 |
(%)
2019/03 | 2020/03 | 2021/03 | 2022/03 | 2023/03 | |
自己資本当期純利益率(連結) | 4.8 | △2.3 | 25.3 | 1.6 | 4.7 |
*Information for each quarter is cumulative data from 1Q to that quarter.
We believe in a prosperous future created by diverse talent and joy, and, as an entertainment company, aim to create new value models that will contribute to a sustainable society.
With the goal of fulfilling our responsibilities as an entertainment company to help achieve a sustainable society, we engage in many different activities by specifying three material issues: creating and delivering intangible wealth, enabling the success of future generations of people and establishing an an organization that is a foundation for the creation of intangible wealth and the success of future generations.
Click here for details and related information.1988
We started from a small apartment.
Arpril 1988
Founded in Machida, Tokyo as a record importer and wholesaler
May 1993
Head office relocated to Minami Aoyama in Minato-ku district, Tokyo
July 1995
Went into the artist management business
October 1997
Established an in-house music package distribution company
October 1998
Began trading on the OTC market (currently JASDAQ)
1999
Listed in the First Section of the Tokyo Stock Exchange
December 1999
Listed in the First Section of the Tokyo Stock Exchange
January 2000
Logo (corporate identity) changed
August 2002
Started the “a-nation” nationwide circuit live music event
October 2004
Avex Group Holdings Inc. and new company Avex Inc. are established and transferred to a special company by corporate split
May 2009
The BeeTV film distribution website for mobile phones is launched
2017
Announced details of a renewed tagline, "Really! Mad+Pure"
May 2017
Announced details of a renewed tagline, "Really! Mad+Pure"
November 2017
Trade name, logo (corporate identity) changed
June 2018
Started a new system composed of Matsuura, the CEO, Kuroiwa, the COO, and Hayashi, the CFO
2022
Formulating the avex vision 2027 Medium-term Management Plan
May 2022
Formulating the avex vision 2027 Medium-term Management Plan
Name | Avex Inc. |
---|---|
Location | Sumitomo Fudosan Azabu-Juban Building, 1-4-1 Mita, Minato-ku, Tokyo 108-0073 (General Reception on 10th Floor) |
Established on | As of April 11, 1988 |
Capital | 4,599.6607 million yen |
Representative |
Chairman Masato Matsuura President,CEO Katsumi Kuroiwa CFO Shinji Hayashi |
Employees | 1,514 (as of March 31, 2023) |
Director (Part-time) |
Toru Kenjo |
---|---|
Board Director and Audit and Supervisory Committee Member (Full-Time) |
Nobuyuki Kobayashi |
Board Director and Audit and Supervisory Committee Member (Outside) |
Keiichi Okubo |
Akihiro Tamaki |
|
Yoshihide Sugimoto |
Operating Officer |
Hideo Katsumata |
Hisaou Wakaizumi |
|
Seiichi Hatamoto |
|
Yasuhiro Yamamoto |
|
Hajime Shibata |
|
Hideki Endo |
In the Medium-term Management Plan, "avex vision 2027" announced on May 12, 2022, Avex Group defined a new corporate philosophy with the aim of clarifying the purpose of its corporate activities and the significance of its existence in society. The new philosophy is to "Continue to pursue the potential of entertainment. Believe in the infinite creativity of people and deliver a variety of talent and excitement to the world. And create an enriched future." Based on this corporate philosophy, in order to "Seek to discover and develop "beloved" intellectual property in many different regions and fields," which is a key strategy under the plan, Avex Group will implement key initiatives such as "Develop proprietary intellectual property that is rich in continuity, while seeking exits by type of culture;" "Improve talent development in line with the distribution market and discover many different kinds of intellectual property;" "Develop festivals and events valuable as intellectual property;" and "Develop and acquire intellectual property for animation and video works that will be loved for a long time."
To push forward with this Medium-term Management Plan, Avex Group recognizes that it is essential to build a more robust corporate governance framework in order to properly meet the expectations and trust placed in it by its shareholders and all other stakeholders. Avex Groupʼs basic philosophy of corporate governance is to build a management framework that provides the functions of accurate managerial decision-making, and prompt and appropriate business execution, and the adequate monitoring of these functions, while at the same time working to maintain and improve corporate ethics.
Avex is a Company with Audit and Supervisory Committee and the majority of Audit and Supervisory Committee is composed of Independent Outside Directors. By including members of the Audit and Supervisory Committee in its Board of Directors, Avex seeks to ensure the effectiveness of the supervisory function of the Board of Directors and further strengthen the corporate governance framework, and by delegating some of the decision-making authority for business execution of the Board of Directors to Directors, Avex seeks to separate the supervisory function and business execution, with the aim of speeding up management decision-making and increasing the flexibility of business execution.
Corporate Governance Report(497KB)
Overview of Corporate Governance Structure
Avex has adopted the system of a Company with Audit and Supervisory Committee, and the Audit and Supervisory Committee, which comprises four members including three Outside Directors, audits and supervises the business execution of Directors.
Internal Control Systems
The Group maintains and develops a system of internal controls for ensuring the reliability of its financial reporting and increasing the effectiveness and efficiency of its business operations.
Outside Directors
Avex appoints three Outside Directors. When these Outside Directors are selected, Avex sets forth the Independence Standards to assess their independence.
Executive Compensation
The Company has positioned executive compensation as a driver to achieve sustained growth that will bring about greater corporate value.
Financial Audits
Avex has a contract with Deloitte Touche Tohmatsu LLC to conduct financial audits as stipulated in the Companies Act and Japan's Financial Instruments and Exchange Law.
(as of March 31, 2023)
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